Johanna de Verdier is an artist working primarily across sculpture, installation and performance often along with computational, sensory components. Her work often takes shape as tools, backpacks and instruments - a practical array of vessels and tools for biological survival in post-apocalyptic scenarios. Drawing inspiration from makeshift building structures, preppers, folklore, magic and feminist technoculture Johanna's practice takes a speculative approach to the idea of the apocalypse, linking “the end” to utopian politics, ecology and collectivity.